You Must Make Your Death Public, Chris Kraus
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Chris Kraus

You Must Make Your Death Public

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This book assembles all the talks and media presented at Aliens & Anorexia: A Chris Kraus Symposium, which took place in March 2013 at the Royal College of Art, London.
Since her first book, I Love Dick, published in 1997, writer and film-maker Chris Kraus has authored a further six books ranging from fiction to art criticism to political commentary, via continental philosophy, feminism, critical and queer theory.
This collection begins to engage with questions Kraus’ work raises: where, if at all, is the line between ‘life’ as private and ‘practice’ as public? How, if the body is always performing one or other of these, can they be delineated? Can this map onto the relations between other ever blurring not-quite-binaries: artwork and critic, subject and object, masochist and sadist, unknown and known, embodied and disembodied, fiction and criticism?
You Must Make Your Death Public features essays and media by Travis Jeppesen, Helen Stuhr-Rommereim, Hestia Peppé, Samira Ariadad, Beth Rose Caird, Jesse Dayan, Karolin Meunier, Linda Stupart, Lodovico Pignatti Morano, Trine Riel, Rachal Bradley, David Morris, Jonathan Lahey Dronsfield and Chris Kraus.
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Надя Дегтярева
Надя Дегтяреваje citiralaпре 4 године
Shamelessness is key in making the personal political, the private public, without which neither release nor action are possible. Nothing is (only) personal. But this self-speaking must be distinct from confession, identified by Foucault as an act of shame and guilt, laced with a plea for forgiveness – insidiously compulsory at this moment in history.

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