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Sergei Eisenstein

Film Form

A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin.
Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
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  • Ai artist.Nasirje podelio/la utisakпре 4 месеца
    👍Vredna čitanja

    good novel

Citati

  • Amina Mikulecje citiraoпрошлог месеца
    The film artist’s job was to learn his principles from a profound investigation of all arts and all levels of life, to measure these principles against an unfaltering understanding of himself, and if he then did anything less than create—with bold, living works that moved their audiences to excitement and understanding—he was neither good artist nor positive member of society.
  • Amina Mikulecje citiraoпрошлог месеца
    His fatal attack, on the night of February 10, 1948, interrupted him at work; when he was found the next morning, before him were his last words—an unfinished essay on color, its use in the unfinished Ivan the Terrible.
  • Amina Mikulecje citiraoпрошлог месеца
    Eisenstein’s immense knowledge was poured not only into six finished films but also, directly and indirectly, into an incalculable number of pupils.

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