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Søren Kierkegaard

Either/Or: A Fragment of life

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In [i]Either/Or,[/i] using the voices of two characters – the aesthetic young man of part one, called simply 'A', and the ethical Judge Vilhelm of the second section – Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous [i]Seducer's Diary,[/i] the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, [i]Either/Or[/i] is a brilliant exploration of the conflict between the aesthetic and the ethical – both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life.
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    When Epaminondas was wounded in the battle of Mantinea, he left the arrow in the wound until he heard the battle was won, because he knew that the moment it was drawn out he would die.
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  • Sylasje citiraoпре 2 године
    Notable are Either/Or (1843), Repetition (1843), Fear and Trembling (1843), Philosophical Fragments (1844), The Concept of Anxiety (1844), Stages on Life’s Way (1845), Concluding Unscientific Postscript (1846) and The Sickness unto Death (1849).

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