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Shirley Jackson,Ottessa Moshfegh

Dark Tales

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For the first time in one volume, a collection of Shirley Jackson’s scariest stories, with a foreword by PEN/Hemingway Award winner Ottessa Moshfegh After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People.” In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There’s something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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    “After all,” said the old lady dreamily, with raindrops in her hair, “we don’t always see ahead, into things that are going to happen.”
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    Anne had cherished a hope, along with so many other people to whom sudden and unusual things have happened, that after it was all over she might be changed—her face a little prettier, perhaps,
    or her hair a more decided color, or at least an interesting sadness in her manner, and the ability to think quickly and effortlessly of things to say when she passed the other girls in the hall.
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    Anne minded none of this particularly; what she did mind, and found insulting, was the immediate decrease of her value in the eyes of the other girls in the house shortly after her mother was buried. It was no longer in good taste to commiserate with Anne, because, as was generally known, Anne was Trying to be Brave. With her bravery clearly established by her anonymity, Anne faded back into the colorless girl on the third floor who lived alone, had no friends, and rarely spoke.
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