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Masande Ntshanga

Triangulum

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From the award-winning writer of The Reactive, Triangulum is an ambitious, often philosophical and genre-bending novel that covers a period of over 40 years in South Africa's recent past and near future — starting from the collapse of the apartheid homeland system in the early 1990s, to the economic corrosion of the 2010s, and on to the looming, large-scale ecological disasters of the 2040s.

In 2040, the South African National Space Agency receives a mysterious package containing a memoir and a set of digital recordings from an unnamed woman who claims the world will end in ten years. Assigned to the case, Dr. Naomi Buthelezi, a retired professor and science-fiction writer, is hired to investigate the veracity of the materials, and whether or not the woman's claim to have heard from a “force more powerful than humankind” is genuine. Thus begins Triangulum, a found manuscript composed of the mysterious woman's memoir and her recordings. Haunted by visions of a mysterious machine, the narrator is a seemingly adrift 17-year-old girl, whose father never recovered from the shock of losing his wife. She struggles to navigate school, sexual experimentation, and friendship across racial barriers in post-Apartheid South Africa. With extraordinary aplomb and breathtaking prose, Ntshanga has crafted an inventive and marvelous novel.
Ova knjiga je trenutno nedostupna
319 štampanih stranica
Vlasnik autorskih prava
Bookwire
Prvi put objavljeno
2019
Godina izdavanja
2019
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Citati

  • jennaelirussellje citiraoпре 4 године
    I remember one evening when she didn’t seem to care about my grades. I helped her make macaroni and cheese that night, and we both laughed when it came out lopsided from the microwave.
  • jennaelirussellje citiraoпре 4 године
    I remembered how she wouldn’t speak to me if I came home with less than 95 percent on a test. How she wanted to arrange me into a shape she approved of. How little I’d resisted.
  • jennaelirussellje citiraoпре 4 године
    when I reach the threshold of the library, I feel faint and lean against the door-frame; which is when I see the machine and pass out

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