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Virginie Despentes

Virginie Despentes is a French writer, filmmaker, and essayist. She is best known for her novels Baise-moi (Rape Me, 1993), Les Jolies Choses (Pretty Things, 2008), and Vernon Subutex (2015). Despentes won several literary awards, including the Prix Renaudot in 2015.

Virginie Despentes was born in Nancy, Meurthe-et-Moselle. She grew up in a working-class family. At fifteen, her parents placed her in a psychiatric hospital against her will. She left home and dropped out of school at the age of 17.

She started her career in a record shop and a peep show. She was a prostitute and a punk before taking up writing and filmmaking.

Despentes wrote about her experiences of being an adult in her debut novel Baise-moi in 1993. Later, in 2000, Despentes co-directed and adapted the book into a controversial film. She published several more novels, e.g., Les Jolies Choses in 1998.

Virginie Despentes consolidated her success with her non-fiction work, King Kong Theory (2006), which recounts her experiences in the French sex industry. Her next big project, The Vernon Subutex trilogy (2015–2017), won the prestigious Prix Renaudot. The novels follow the titular character Vernon Subutex, a former record shop owner who becomes homeless after the death of his friend and benefactor.

In 2018, Despentes was shortlisted for the International Booker Prize for Vernon Subutex: Volume 1.

In addition to her writing, Despentes has directed several films, including Les Jolies Choses and King Kong Theory, a documentary based on her feminist essay.

Despentes has also been a vocal advocate for feminist and queer causes and has written extensively on issues such as rape culture, pornography, and gender identity.

Photo credit: JF Paga-Grasset
godine života: 13 juna 1969 predstavlja

Citati

Александр Малининje citiraoпре 3 месеца
hatever women do, someone feels obliged to prove that we’ve gone about it the wrong way. There is no correct response, whatever choice we make is necessarily wrong, and we are blamed for a failure that is, in fact, collective and involves both men and women.
Александр Малининje citiraoпре 2 месеца
hese days, we hear men bitching that women’s liberation is emasculating them. They yearn for a status quo ante, when their power was rooted in the oppression of women. They forget that the political advantages they enjoyed always came at a cost: women’s bodies belonged to men only inasmuch as men’s bodies belonged to the means of production in peacetime, and to the state in time of war. The expropriation of the female body coincided with the expropriation of the male body.
Александр Малининje citiraoпре 2 месеца
Men vehemently denounce social or racial injustices, but are tolerant and understanding when it comes to macho bigotry. Many of them feel obliged to explain that the feminist struggle is secondary, a hobby for the rich, that is neither significant nor urgent. You’d have to be a complete fuckwit, or deeply dishonest, to consider one form of oppression intolerable and another deeply poetic.
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