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She wants to teach people how to be afraid, how to shudder. Such feelings run rampant through the playbills of Philharmonic Concerts.
Beethoven’s pain, Mozart’s pain, Schumann’s pain, Bruckner’s pain, Wagner’s pain. These pains are now his sole property, and he himself is the owner of the Pöschl Shoe Factory or Kotzler Construction Material Wholesalers. Beethoven manipulates the levers of fear, and these owners make their workers jump fearfully.
That is indisputable for her and for few other people. The Ph.D. is one of the chosen few who know that some things can never be fathomed, no matter how hard you try. What good are explanations? There is no possibility of explaining how such a work could ever have come into being. (The same holds true for certain poems, which should not be analyzed either.)
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