en

Nella Larsen

  • Tony Xuje citiraoпрошле године
    Certainly that was the word which best described Clare Kendry, if any single word could describe her. Sometimes she was hard and apparently without feeling at all; sometimes she was affectionate and rashly impulsive. And there was about her an amazing soft malice, hidden well away until provoked.
  • Sophia Millerje citiraoпре 2 године
    This great community, she thought, was no longer a school. It had grown into a machine. It was now a showplace in the black belt, exemplification of the white man’s magnanimity, refutation of the black man’s inefficiency. Life had died out of it. It was, Helga decided, now only a big knife with cruelly sharp edges ruthlessly cutting all to a pattern, the white man’s pattern. Teachers as well as students were subjected to the paring process, for it tolerated no innovations, no individualisms. Ideas it rejected, and looked with open hostility on one and all who had the temerity to offer a suggestion or ever so mildly express a disapproval. Enthusiasm, spontaneity, if not actually suppressed, were at least openly regretted as unladylike or ungentlemanly qualities.
  • Sophia Millerje citiraoпре 2 године
    It couldn’t be spanned by one sympathetic teacher. It was useless to offer her atom of friendship, which under the existing conditions was neither wanted nor understood.
  • Sophia Millerje citiraoпре 2 године
    the fact that she was utterly unfitted for teaching, even for mere existence, in Naxos. She was a failure here. She had, she conceded now, been silly, obstinate, to persist for so long. A failure. Therefore, no need, no use, to stay longer.
  • Sophia Millerje citiraoпре 2 године
    Bitterly she reflected that James had speedily and with entire ease fitted into his niche. He was now completely “naturalized,” as they used laughingly to call it. Helga, on the other hand, had never quite achieved the unmistakable Naxos mold, would never achieve it, in spite of much trying. She could neither conform nor be happy in her unconformity.
  • Sophia Millerje citiraoпре 2 године
    No family. That was the crux of the whole matter. For Helga, it accounted for everything, her failure here in Naxos, her former loneliness in Nashville.
  • Sophia Millerje citiraoпре 2 године
    If you couldn’t prove your ancestry and connections, you were tolerated, but you didn’t “belong.”
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