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Saqi Books

Saqi Books is a leading independent publishing house of trade and academic books on the Middle East and North Africa. Founded in London in 1983, but with its roots in Lebanon, Saqi’s publishing programme has led to a rigorous reassessment of Arab cultural heritage. Saqi has been at the forefront of establishing Middle Eastern culture in the UK and beyond for more than four decades.

Saqi’s publishing — encompassing art, photography and cookery books, language, literature and philosophy, history and current affairs and much more — is recognised all over the world. We offer an independent platform for writers and artists from all places and cultures. Our authors have attained international prominence not only for the quality of their prose, but for their authoritative and innovative contributions to public debate.

We are also proud to bring out in English translation the very best in new and classic Arabic literature, including works by renowned authors Tahar Ben Jelloun, Mahmoud Darwish, Adonis and Nawal El Saadawi, as well as writing from twenty-three other languages. Our bestsellers includes The Crusades through Arab Eyes by Amin Maalouf, Beyond the Veil by Fatema Mernissi, Syria: A Recent History by John McHugo, The Calligrapher’s Garden by Hassan Massoudy, and the multi-award-winning C+nto by Joelle Taylor.

Saqi’s imprint The Westbourne Press releases works of trenchant non-fiction that enquire into the leading issues of our time — with passion, intellectual rigour and narrative dynamism. Our Telegram imprint offers new and classic fiction, giving a voice to emerging and diverse talents from around the world.

Saqi was awarded the British Book Industry Award for Diversity in Literature, the IPG Diversity Award and the Arab British Culture and Society award.
godine života: 1983 predstavlja

Citati

Sara Tahaje citiraoпрошле године
Gable House, 18-24 Turnham Green Terrace, London w4 1QP
www.saqibooks.com
First published in English in hardback by Saqi Books 2024
Published in French as Un homme sans titre by Éditions Gallimard 2022
Copyright © Éditions Gallimard, Paris, 2022, 2024
Translation © William Rodarmor 2024
Xavier Le Clerc has asserted his right under the Copyright, Designs and P
alessioroblessofiaje citiraoпрошлог месеца
face to the river, and her back to the sea.
Jovana Spasićje citiralaпре 6 месеци
If only the young were trees
The tree is sister to the tree, or its good neighbour. The big one is kind to the little one, giving it the shade it needs. The tall one is kind to the short one, sending it a bird to keep it company at night. No tree attacks the fruit of another tree, and if one tree is barren the other does not make fun of it. A tree does not attack another tree and does not imitate a woodcutter. When a tree becomes a boat it learns to swim. When it becomes a door it continues to keep secrets. When it becomes a chair it does not forget the sky that was once above it. When it becomes a table it teaches the poet not to be a woodcutter. The tree is forgiveness and vigilance. It neither sleeps nor dreams, but is entrusted with the secrets of dreamers, standing guard night and day, showing respect to passers-by and to the heavens. The tree is a standing prayer, directing its devotions upwards. When it bends a little in the storm, it bends majestically, like a nun, looking upwards all the time. In the past the poet said: ‘If only the young were stones’. He should have said: ‘If only the young were trees!’
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