The Theory of the Theatre, Clayton Meeker Hamilton
Clayton Meeker Hamilton

The Theory of the Theatre

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Most contemporary dramatists, therefore, postpone the actual writing of their dialogue until they have worked out their scenario in minute detail. They begin by separating and grouping their narrative materials into not more than three or four distinct pigeon-holes of time and place,—thereby dividing their story roughly into acts. They then plan a stage-setting for each act, employing whatever accessories may be necessary for t
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