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Hanif Abdurraqib

They Can't Kill Us Until They Kill Us

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A stunning collection of essays using music as a vantage point through which to examine and interrogate the world we live in, culturally and politically.
In an age of confusion, fear, and loss, Hanif Abdurraqib’s is a voice that matters. Whether he’s attending a Bruce Springsteen concert the day after visiting Michael Brown’s grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.
In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.
In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.
Ova knjiga je trenutno nedostupna
299 štampanih stranica
Vlasnik autorskih prava
Bookwire
Prvi put objavljeno
2019
Godina izdavanja
2019
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Citati

  • Alejandra Espinoje citiraoпре 4 године
    The real grief is silence in a place where there was once noise.
  • Ale Molinaje citiraoпре 4 године
    The truth is, if we don’t write our own stories, there is someone else waiting to do it for us. And those people, waiting with their pens, often don’t look like we do and don’t have our best interests in mind.
  • Alejandra Espinoje citiraoпре 4 године
    We are not done burying our heroes before we are asked to bury our friends. Our mourning is eclipsed by a greater mourning. I know nothing that will get us through this beyond whatever small pockets of happiness we make for each other in between the rage and the eulogies and the marching and the protesting and the demanding to be seen and accounted for.

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