en
Alan Watts

Zen and the Beat Way

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When Jack Karouac wrote about Zen in Dharma Bums he was echoing the sentiments of the Beat generation, who found in Zen credence for a way of life unencumbered by the limits of “square” society. And it was Alan Watts who first wrote and spoke about Zen and Eastern culture in terms accessible to mainstream Western audiences.
Through his popular radio series Way Beyond the West Alan Watts brought listeners a delightful and practical side of Zen, which he prescribed as “a cure for education and culture.” By the early sixties his radio programs were renowned for their synthesis of Eastern wisdom and everyday life. Several of these radio talks have been selected and edited by Mark Watts, Alan's oldest son, to introduce a new generation to Zen and the Beat Way.
Through this collection we see influences of D.T. Suzuki, C.G. Jung, Gary Snyder and others. Specific chapters discuss Zen influences on traditional Japanese and Chinese arts and explore the celebrated concept of the “controlled accident” within the rich tradition of Zen aesthetics. Also included is “Return to the Forest,” an essay that explores the works of Joseph Campbell on the earliest Beat tradition.
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115 štampanih stranica
Prvi put objavljeno
2012
Godina izdavanja
2012
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Citati

  • b1247331843je citiraoпре 4 године
    The result of this fantastic division between work and play is that work becomes drudgery, and play becomes empty.
  • Paul Cje citiraoпре 3 године
    But as you learn when you study the records of these self-discoveries, the fascinating thing about them is that there is so much agreement among all those who do discover the world for themselves.

    And yet, you do not achieve this agreement by seeking it. It is not achieved by looking out of the corner of your eye to see if everybody else is getting the same results as you or by trying to find out what others have already discovered. It is achieved by going down into one's own inner, secret place and asking there for a direct encounter with the world, independent of convention.
  • Paul Cje citiraoпре 3 године
    By being able to think about all sorts of future possibilities we are able to experience the emotions appropriate to those possibilities as if they were present happenings. In other words, civilized man tends to be in a state of chronic worry and fear and anxiety, because he is always confronted not with the simple actuality of what is happening before him but with the innumerable possibilities of what might happen. And since, because of this, his emotional existence tends to be in a chronic state of anxiety and tension, he increasingly loses the ability to relate to the concrete world as it manifests itself to him in the actual present in which he lives. He becomes so tied up inside that, as it. were, the channels of his sensibility become blocked. He gets a kind of neurological sclerosis, a kind of inability to give himself permission to be spontaneous, to be alive with full joyous abandonment. Thus the more civilized we become, the more stuffy we get. And, therefore, the need arises for various ways of liberating ourselves from society, for entering what the Indians call vanaprastha, the life of a forest dweller. Because when a person reaches a certain point in life when he says, "I have had enough of all this. I am simply tired of making life not worth living, by constantly living through the horrors of what might happen, for the sake of efficiency and membership in the community. Let me just get away from it all for a while and find out what the score is for me, myself. I am tired of being told what I ought to believe. I am tired of being told how I ought to see, how I ought to behave, how I ought to feel. Let me find out for myself who I really am." And so, these institutions that allow one to go back, as it were, to the shaman state of religion, to get away from the community interpretation of how one ought to think and feel, have arisen in a great many cultures. And they are arising again today.

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