Edwin Abbott

Flatland: A Romance of Many Dimensions

With wry humor and penetrating satire, Flatland takes us on a mind-expanding journey into a different world to give us a new vision of our own. A. Square, the slightly befuddled narrator, is born into a place which is limited to two dimensions—irrevocably flat—and peopled by a hierarchy of geometrical forms. In a Gulliver-like tour of his bizarre homeland, A. Square spins a fascinating tale of domestic drama and political turmoil, from sex among consenting triangles to the intentional subjugation of Flatland’s females. He tells of visits to Lineland, the world of one dimension, and Pointland, the world of no dimension. But when A. Square dares to speak openly of a third, even a fourth dimension, his tragic fate climaxes a brilliant parody of Victorian society.

An underground favorite since its publication in England in 1884, Flatland is as prophetic a science-fiction classic as the works of H.G. Wells, introducing aspects of relativity and hyperspace years before Einstein’s famous theories, and it does so with a wonderful, enduring enchantment.
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    Кирилл Моисеевje podelio/la utisakпре 3 године

    Instigates you to step over your dimensional believes in an effort to grasp or to the least of it touch what could be an instance of a space of more than 3 dimensions.

    What could it be like to be capable of perceiving a space of negative dimensions?


    Кирилл Моисеевje citiraoпре 3 године
    One touch of Nature makes all worlds akin
    Кирилл Моисеевje citiraoпре 3 године
    "What," said I, "does the puny creature mean by 'it'?" "He means himself," said the Sphere: "have you not noticed before now, that babies and babyish people who cannot distinguish themselves from the world, speak of themselves in the Third Person? But hush!"
    Кирилл Моисеевje citiraoпре 3 године
    "Love" them becomes "the anticipation of benefits"

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