The Story of the Lost Child, Elena Ferrante
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Elena Ferrante

The Story of the Lost Child

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“Nothing quite like this has ever been published before,” proclaimed The Guardian about the Neapolitan novels in 2014. Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a lifelong friendship between two women with unmatched honesty and brilliance.
The Story of the Lost Child is the concluding volume in the dazzling saga of two women— the brilliant, bookish Elena, and the fiery, uncontainable Lila. Both are now adults, with husbands, lovers, aging parents, and children. Their friendship has been the gravitational center of their lives. Both women fought to escape the neighborhood in which they grew up—a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. In this final novel she has returned to Naples, drawn back as if responding to the city’s obscure magnetism. Lila, on the other hand, could never free herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect the neighborhood. Proximity to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, unforgettable.
The four volumes in this series constitute a long remarkable story that readers will return to again and again, and each return will bring with it new revelations.
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Это скорее не История о потерянном ребёнке, а о биполярном расстройстве и виктимной душе.

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I now think that I could have enjoyed the last two books of the Neapolitan novels more if I gave them more time. Sometimes gobbling up a book leaves it a little chance to be thoroughly thought through, it leaves a little chance for the characters to be understood and related to. And I got annoyed with every one of the characters in the "story of the lost child".
But I still could not put the book down. And I'm glad it leaves readers with a somewhat open ending as I've always been good in inventing ones of my own.

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That's that book, which you could't stop reading

Where is it written that lives should have a meaning?
“So if people have no fear of the law, you have to instill the fear yourself.
Only she can say if, in fact, she has managed to insert herself into this extremely long chain of words to modify my text, to purposely supply the missing links, to unhook others without letting it
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