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Karina Longworth

The Seducer

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The host of the podcast You Must Remember This explores Hollywood’s golden age via the cinematic life of Howard Hughes and the women who encountered him.
Howard Hughes’s reputation as a director and producer of films unusually defined by sex dovetails with his image as one of the most prolific womanizers of the twentieth century. The promoter of bombshell actresses such as Jean Harlow and Jane Russell, Hughes supposedly included among his off-screen conquests many of the most famous actresses of the era, among them Billie Dove, Katharine Hepburn, Ava Gardner, Ginger Rogers, and Lana Turner. Some of the women in Hughes’s life were or became stars and others would stall out at a variety of points within the Hollywood hierarchy, but all found their professional lives marked by Hughes’s presence.
In Seduction, Karina Longworth draws upon her own unparalleled expertise and an unpreceded trove of archival sources, diaries, and documents to produce a landmark—and wonderfully effervescent and gossipy—work of Hollywood history. It’s the story of what it was like to be a woman in Hollywood during the industry’s golden age, through the tales of actresses involved with Howard Hughes. This was the era not only of the actresses Hughes sought to dominate, but male stars such as Errol Flynn, Cary Grant, and Robert Mitchum; directors such as John Ford, Howard Hawks, and Preston Sturges; and studio chiefs like Irving Thalberg, Darryl Zanuck, and David O. Selznick—many of whom were complicit in the bedroom and boardroom exploitation that stifled and disappointed so many of the women who came to Los Angeles with hopes of celluloid triumph.
In his films, Howard Hughes commodified male desire more blatantly than any mainstream filmmaker of his time and in turn helped produce an incredibly influential, sexualized image of womanhood that has impacted American culture ever since. As a result, the story of him and the women he encountered is about not only the murkier shades of golden-age Hollywood, but also the ripples that still slither across today’s entertainment industry and our culture in general.
Praise for Seduction
“Guaranteed to engross anyone with any interest at all in Hollywood, in movies, in #MeToo and in the never-ending story of men with power and women without.” —New York Times Book Review
“The stories Longworth uncovers—about Katharine Hepburn and Jane Russell, yes, but also Ida Lupino and Faith Domergue and Anita Loos—are so rich, so compelling, that they urge you to question how much else in history has been lost within the swirling vortex of Great Men.” —Atlantic
“A compelling and relevant must-read.” —Entertainment Weekly
Ova knjiga je trenutno nedostupna
716 štampanih stranica
Prvi put objavljeno
2018
Godina izdavanja
2018
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Citati

  • Alejandra Espinoпре 4 године
    Part of Quarberg’s job was to respond to requests from newsmen for “feminine art,” meaning cheesecakey publicity photos that journalists could either print in their publications, or keep for their personal use. But some fans would write directly to their favorite stars to ask for photos.
  • Alejandra Espinoпре 4 године
    by the 1950s, Hughes wasn’t interested in sharing credit with anyone, let alone a has-been
  • Alejandra Espinoпре 4 године
    A publicity biography of Hughes dated 1930 credited Howard’s “friendship with Marshall Neilan” for igniting Hughes’s interest “in the making of movies.” Almost a quarter century later, Hughes would request that journalist Stephen White remove an innocuous reference to Neilan from a profile White was writing on Hughes for Look magazine

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