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Elena Ferrante

Those Who Leave and Those Who Stay

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  • Катя Кологриваяje citiralaпрошлог месеца
    today: it’s not the neighborhood that’s sick, it’s not Naples, it’s the entire earth, it’s the universe, or universes. And shrewdness means hiding and hiding from oneself the true state of things.
  • Катя Кологриваяje citiralaпрошлог месеца
    Settle in well-organized lands where everything really is possible. I had fled, in fact. Only to discover, in the decades to come, that I had been wrong, that it was a chain with larger and larger links: the neighborhood was connected to the city, the city to Italy, Italy to Europe, Europe to the whole planet. And this is how I see it to
  • b2938014837je citiraoпре 2 године
    showed that he knew the history of Naples, the literature, fables, legends, anecdotes, the visible monuments and those hidden by neglect. I imagined that he knew about the city in part because he was a man who knew everything, and in part because he had studied it thoroughly, with his usual rigor, because it was mine, because my voice, my gestures, my whole body had been subjected to its influence.
  • Gabriela Martínez Reynaje citiralaпре 3 године
    Besides, what could I do about it? I said to myself that maturity consisted in accepting the turn that existence had taken without getting too upset, following a path between daily practices and theoretical achievements, learning to see oneself, know oneself, in expectation of great changes.
  • Gabriela Martínez Reynaje citiralaпре 3 године
    How exciting it was to lift off from the ground with a jerk and see the houses that became parallelopipeds and the streets that changed into strips and the countryside that was reduced to a green patch, and the sea that inclined like a compact paving stone, and the clouds that fell below in a landslide of soft rocks, and the anguish, the pain, the very happiness that became part of a unique, luminous motion.
  • Gabriela Martínez Reynaje citiralaпре 3 године
    Holding him tight, I said to myself: I’ll never get used to that nervous body, it’s a constant surprise, long bones, skin with an exciting smell, a mass, a force, a mobility completely different from what Pietro is, the habits we had.
  • Gabriela Martínez Reynaje citiralaпре 3 године
    To decide means to do harm.”
  • Gabriela Martínez Reynaje citiralaпре 3 године
    Did he know how to love and induce one to love only in that excessive way, did he not know others? Was this mad love of ours the repeat of other mad loves? Was he exploiting a prototype: wanting me in this way, without caring about anything, was it the same way he had wanted Lila?
  • Gabriela Martínez Reynaje citiralaпре 3 године
    I recalled how she had believed in that passion and had clung to him, to the complicated books he read, his thoughts, his ambitions, to affirm herself and give herself the chance for change.
  • Gabriela Martínez Reynaje citiralaпре 3 године
    But when I saw him exhausted and happy, something suddenly went bad in my mind. For me that was a unique experience, for him a repetition. He loved women, he adored their bodies as if they were fetishes.
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