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Florian Illies

1913

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A witty yet moving narrative worked up from sketched biographical fragments, 1913 is an intimate vision of a world that is about to change forever.

The stuffy conventions of the nineteenth century are receding into the past, and 1913 heralds a new age of unlimited possibility. Kafka falls in love; Louis Armstrong learns to play the trumpet; a young seamstress called Coco Chanel opens her first boutique; Charlie Chaplin signs his first movie contract; and new drugs like cocaine usher in an age of decadence.

Yet everywhere there is the premonition of ruin – the number 13 is omnipresent, and in London, Paris and Vienna, artists take the omen and act as if there were no tomorrow. In a Munich hotel lobby, Rilke and Freud discuss beauty and transience; Proust sets out in search of lost time; and while Stravinsky celebrates the Rite of Spring with industrial cacophony, an Austrian postcard painter by the name of Adolf Hitler sells his conventional cityscapes.

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Citati

  • Ульяна Санитовичje citiralaпрошле године
    When what we have created turns to ruin, we know that out of those ruins, new life will always blossom forth.
  • Ульяна Санитовичje citiralaпрошле године
    Stalin, Hitler and Tito, two of the twentieth century’s greatest tyrants and one of its most evil dictators,
  • Ульяна Санитовичje citiralaпрошле године
    it sounded like the whole world belonged to him
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