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Anatoly Ivanov,Vladimir Lukonin

Persian Art

Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnificent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Lukonin, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10thcentury BCE through the early 20th century. In the second part of the book they have catalogued Persian Art giving locations, origins, descriptions, and artist biographies where available. Persian Art demonstrates a common theme which runs through the art of the region over the past three millennia. Despite many religious and political upheavals, Persian Art whether in its architecture, sculpture, frescoes, miniatures, porcelain, fabrics, or rugs; whether in the work of the humble craftsmen or the high art of court painters displays the delicate touch and subtle refinement which has had a profound influence on art throughout the world.
600 štampanih stranica
Vlasnik autorskih prava
Parkstone International
Prvi put objavljeno
2015
Godina izdavanja
2015
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Citati

  • Talia Garzaje citiralaпре 1 сата
    potentates, or the kings of Media, the first Iranian empire established on this territory in the 670s BCE. Two facts give grounds for considering these objects to have been produced for Median rulers.
  • Talia Garzaje citiralaпре 1 сата
    The intended recipient of these articles would have to be a king to account for the royal symbols of investiture. In other words, the most likely candidates are kings of a Scythian power settled in the Sacasene province of Transcaucasia and conducting raids from there on Urartu and Assyria, the rulers of a “Scythian kingdom” (one of these, Madias, has already been mentioned) who may have adopted the customs of eastern poten
  • Talia Garzaje citiralaпре 1 сата
    candidate, and he must be an Iranian. Only in this case would the “Scythian animals” have to feature on his belongings, insofar as they were a totem or emblem of his tribe (in Vladimir Abayev’s opinion, for example, the term saka – the name by which some Scythian tribes were known in the Near East – signifies “stag”).

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