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E. M. Forster

Maurice

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Written in 1914 by the Nobel Prize–nominated author of Howard’s End, this intimate portrait of homosexual desire “seems as relevant as ever” (The Guardian).
From early adolescence to his college years at Cambridge and into professional life at his father’s firm, Maurice Hall plays the part of the conventional Englishman. All the while, he harbors a secret wish to lose himself from society and embrace who he truly is.
Maurice’s first love, Clive Durham, introduces him to the ancient Greeks who embraced same-sex attraction. But when Clive marries a woman, Maurice is distraught enough to seek a hypnotist who might “cure” him of his homosexuality. In his quest to accept his true self, Maurice must ultimately go against the grain of society’s unspoken rules of class, wealth, and politics.
Though Forster completed Maurice in 1914, he left instructions for it be published only after his death. Since its release in 1971, Maurice has been widely praised and adapted for major stage productions as well as the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.
“The work of an exceptional artist working close to the peak of his powers.” —The New York Times
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234 štampane stranice
Prvi put objavljeno
2015
Godina izdavanja
2015
Izdavač
RosettaBooks
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  • Louise Bonnaudje podelio/la utisakпрошле године
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Citati

  • Louise Bonnaudje citiraoпрошле године
    He had stopped loving Maurice and should have to say so plainly.
  • Louise Bonnaudje citiraoпрошле године
    Clive pulled him back into themselves. He murmured something about Eternity in an hour: Maurice did not understand, but the voice soothed him.
  • Louise Bonnaudje citiraoпрошле године
    And their love scene drew out, having the inestimable gain of a new language. No tradition overawed the boys. No convention settled what was poetic, what absurd; They were concerned with a passion that few English minds have admitted, and so created untrammelled. Something of exquisite beauty arose in the mind of each at last, something unforgettable and eternal, but built of the humblest scraps of speech and from the simplest emotions.

    “I say, will you kiss me?” asked Maurice, when the sparrows woke in the eaves above them, and far out in the woods the ring-doves began to coo. Clive shook his head, and smiling they parted, having established perfection in their lives, at all events for a time.
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